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The practice of artist Chelsea Gustafsson reveals both a painter of technical skill and a person in possession of a sharp sense of humour. Exploring concerns both social and personal; be it ocean pollution, consumerist clutter or the virtue of Australia’s native plant-life, Gustafsson utilises a visual language mixed with imagination and incongruity to speak affably of those issues facing contemporary society. Her paintings explore the boundaries and crossover of the natural and man-made worlds. Both beautiful and ugly, pleasing and awkward, there is, however, a mood of something being not quite right as innocuous man-made objects plague and impinge on their organic companions.