Christine Nakamarra Curtis

Mina Mina Jukurrpa (Mina Mina Dreaming) 755-24ny

Regular price $2,500.00
Regular price Sale price $2,500.00

2024 – Original

acrylic on canvas, stretched.

107cm x 107cm

Indigenous Community: Warlukurlangu

Mina Mina is an extremely important ceremonial site for Napangardi and Napanangka women that is located approximately 600kms west of Yuendumu, just east of Lake Mackay and the WA border. The area has a ‘marluri’ (salt lake or claypan) that is usually dry, without water. There are also a number of ‘mulju’ (soakages), sandhills, and a large stand of ‘kurrkara’ (desert oaks [Allocasuarina decaisneana]). The Mina Mina Jukurrpa is an important source of Warlpiri ritual knowledge and social organization, particularly relating to the different roles performed by men and women.

The ‘kirda’ (owners) of this country are Napangardi/Napanangka women and Japangardi/Japanangka men, who can depict portions of the Mina Mina Jukurrpa in their paintings. There are a number of different components of the Mina Mina Jukurrpa; artists usually choose to depict one particular aspect. These can include ‘karnta’ (women), ‘karlangu’ (digging sticks), ‘majardi’ (hairstring skirts/tassels), ‘ngalyipi’ (snakevine [Tinospora smilacina]), ‘jintiparnta’ (desert truffle [Elderia arenivaga]), and ‘kurrkara’ (desert oak [Allocasuarina decaisneana]).

The Mina Mina Jukurrpa tells the story of a group of ancestral ‘karnta’ (women) who traveled from west to east. In the Dreamtime, these ancestral women danced at Mina Mina and ‘karlangu’ (digging sticks) rose up out of the ground. They collected these digging sticks and started travelling to the east. They carried their digging sticks over their shoulders and they were adorned with ‘majardi’ (hairstring belts), white feathers, and necklaces made from ‘yinirnti’ (bean tree [Erythrina vespertilio]) seeds. They continuously anointed themselves with ‘minyira’ (shiny fat) to increase their ritual powers as they went along. As the women travelled, they were followed by a ‘yinkardakurdaku’ (spotted nightjar [Eurostopodus argus]) from the Jakamarra subsection. The bird would call out and then hide in the bushes behind them as they travelled.

When the women danced at Mina Mina, they created a large dust cloud that swept up the ‘walyankarna’ (snake ancestors). The ‘walyankarna’ had previously transformed themselves from witchetty grubs into snakes at Kunajarrayi (Mount Nicker, 200km southwest of Yuendumu), and they had stopped at Mina Mina to watch the women dance. This dust cloud blew the ‘walyankarna’ further north to Yaturluyaturlu (near the Granites gold mine). In this way, the ‘karnta Jukurrpa’ (women’s Dreaming) and ‘ngarlkirdi Jukurrpa’ (witchetty grub Dreaming) intersect. This allowed the ancestral women to observe the witchetty grubs and learn how to best locate and cook them, which are skills that Warlpiri women still use today.

Learn more about Christine Nakamarra Curtis

Christine Nakamarra Curtis was born in Alice Springs Hospital, the closest hospital to Yuendumu, a remote Aboriginal community 290 km north-west of Alice Springs. She was born into a family of artists, which include Kelly Napanangka Michaels, her mother, Roy Jupurrurla Curtis, her father, and Alice Nampijinpa Henwood Michaels, her Aunty. She is the eldest of 7 sisters and spent most of her childhood at Nyirripi, a remote Aboriginal community located 150 km north-west of Yuendumu. Christine attended her local school. Shen then went on to Yirara College, an Aboriginal boarding college in Alice Springs, and continued her studies at Kormilda College, an Aboriginal boarding college in Darwin. After finishing schooling she returned to Nyirripi, where she worked in the store. 'I love the place. I grew up here learning from the old people.'

Christine began painting with Warlukurlangu Artists Aboriginal Corporation in 2007. Christine paints her grandparent's dreaming on her mother's side, Dreamings which relate directly to her land, its features and the plants and animals that inhabit it. These stories have been passed down for millennia. 'I like the patterns and all those colours, and the stories. Watching family painting, they show you the dreaming.'

Christine uses an unrestricted palette to develop a modern interpretation of her traditional culture. Christine has two sons, Navarone and Mahela, who attend the local school in Nyirripi. When Christine is not painting she likes to take them hunting for bush tucker and goanna.

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