Connect To The People, Intercept My Brain. Cheers To The People Riding The Train
2026 – Original
Acrylic, synthetic polymer and epoxy resin on canvas.
137cm x 127cm
Artwork Statement
Hundreds of hours spent methodically painting lines in my studio, repeated actions, line after line. The result is energetic and free, a loaded brushstroke with the illusion of spontaneity. I have to be brave, even rebellious, to pour a massive splat of house paint onto a painting that has taken so long to construct.
Dualities exist simultaneously: freedom and containment, control and spontaneity. Oppositional forces coexist. Certainty is an illusion, and the unexpected is perhaps the only certainty. Abstraction offers a personal freedom; it is poetry made tangible.
Created in the lead-up to Exploration 26, the work echoes the grunge and flamboyance of Melbourne’s urban landscape. Its thick black outlines recall the bold graphic language of Pop Art and comic-book imagery, while its graffiti-like forms, abundant colour and visual excess introduce a heightened sense of energy.
Beneath this visual excess lies a tension between the desire for connection, the need to be seen and heard, and the solitude essential to independent thought. In a world of constant distraction, where we are increasingly controlled by what is presented to us, painting remains an act of personal freedom.